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More on Mechanical Cluster...
In the series of marriage poems titled “Ketubah” for the Jewish marriage contract, it examines ritual and rebellion, the necessary and ancillary components of love. In the series of “riffs” on film titled “Celluloid,” the narrator floats and digresses through associative waves of apprehension. The book delves into heritage and inheritance in a constant re-evaluation of what it means to be a morass of “pulse and impulse.” The voice of these poems inhabits and strays, puts down roots and abandons, goes West, goes East, attempting to define “progress” through some understanding of vehicle and trip with a revving engine in the background.
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